In Perfect Wives in Ideal Homes: The Story Of Women In The 1950’s, Virginia Nicholson, author of Millions Like Us: Women’s Lives in the Second World War and Singled Out: How Two Million Women Survived without Men After the First World War, provides a social history of women’s lives in Britain in the 1950s. Popular culture expected them to be Perfect Wives in Ideal Homes but whether the women profiled in Nicholson’s book lived in palaces or council houses, their homes rarely conformed to ideals. Throughout the decade, the two most prominent women in Britain were Queen Elizabeth II, whose marriage and motherhood appeared to conform to 1950s expectations and Princess Margaret who struggled in the face of overwhelming pressure to “settle down” with a suitable husband.
The Queen’s coronation in 1953 was one of the most memorable events of the decade and Nicholson presents a vivid account of women’s engagement in the ceremony, from the Queen herself at the centre of events, to the women involved in the coverage and planning to spectators of all social backgrounds including peeresses in the galleries of Westminster Abbey, Londoners camped on the sidewalk in the rain and the thousands of women who watched the ceremony on their first television set. Although the monarch was female, the BBC journalists who covered the event were male with the exception of one female commentator and four “back-up girls” in charge of providing human interest stories. There were plenty women involved in the preparations, however, including Constance Spry, who created the floral decorations and Rosemary Hume, who invented “coronation chicken.”
Nicholson also provides a fresh perspective on Princess Margaret’s relationship with Peter Townsend and her ultimate decision not to give up her royal position to marry a divorced man. The Princess’s relationship with Townsend took place less than two decades after King Edward VIII abdicated to marry the twice divorced Wallis Simpson but attitudes toward divorce, remarriage and royal duty were already undergoing a gradual change. Nicholson discusses how English women, from Princess Margaret’s lady-in-waiting Iris Peake to working class women who read about the relationship in the press hoped the Princess would be able to marry the man of her choice. In contrast, the male establishment, some of whom had been involved in divorce cases themselves, were adamant that Townsend was unsuitable. The Queen supported the establishment and Margaret ultimately married the photographer Antony Armstrong Jones in 1960, divorcing in 1978.
There’s far more to Perfect Wives in Ideal Homes: The Story Of Women In The 1950’s than royalty. Through the stories of individual women, Nicholson reveals the adversity faced by those women whose aspirations included other goals besides marriage, home and family. As late as 1959, only one in a hundred British women pursued post-secondary education and Oxford and Cambridge had only begun granting degrees to women in 1920 and 1947 respectively. Most British women of the period left school at fifteen and worked in jobs that provided little hope of career advancement until they married. Nicholson analyzes the context for women’s roles in the period including the desire to return to pre-Second World War life and slow adoption of modern conveniences within British households.
Perfect Wives in Ideal Homes: The Story Of Women In The 1950’s is a fascinating history of how British women lived at the beginning of Elizabeth II’s record breaking reign. The cultural climate has changed immeasurably over the past sixty-three years but Nicholson presents convincing case that the attitudes toward women from the 1950s still cast a long shadow over modern life.
