University of Toronto News Interview: Prince Philip rumours go viral

Prince Philip in 2008.

Before the announcement that Prince Philip would be retiring from public life at the end of the summer, there was widespread speculation on social media that Buckingham Palace would be announcing his death on the morning of May 4 as members of the royal household gathered for an “eleventh hour” meeting.

There were also more optimistic theories including the idea that forthcoming renovations to Buckingham Palace would prompt an announcement that the Queen and Prince Philip were moving to Windsor Castle or Balmoral for an extended period of time. In an interview with University of Toronto news, I discuss the timeless fascination with events behind palace doors and how the internet has accelerated the spread of royal rumors.

Buckingham Palace, London

Click here to read “Prince Philip rumours go viral: U of T expert talks about centuries of royal gossip” at UofT news

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Raising Royalty: 1000 Years of Royal Parenting now available for purchase

My 3rd book, Raising Royalty: 1000 Years of Royal Parenting, has been published by Dundurn Press in Canada. (The USA and UK release date is May 2).

Click here to purchase your copy of Raising Royalty: 1000 Years of Royal Parenting

How royal parents dealt with raising their children over the past thousand years, from keeping Vikings at bay to fending off paparazzi.

William and Kate, the Duke and Duchess of Cambridge, are setting trends for millions of parents around the world. The upbringing of their children, Prince George and Princess Charlotte, is the focus of intense popular scrutiny. Royalty have always raised their children in the public eye and attracted praise or criticism according to parenting standards of their day.

Royal parents have faced unique challenges and held unique privileges. In medieval times, raising an heir often meant raising a rival, and monarchs sometimes faced their grown children on the battlefield. Conversely, kings and queens who lost their thrones in wars or popular revolutions often found solace in time spent with their children. In modern times, royal duties and overseas tours have often separated young princes and princesses from their parents, a circumstance that is slowly changing with the current generation of royalty.

Click here to purchase your copy of Raising Royalty: 1000 Years of Royal Parenting

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Quartz Article: The hit Netflix series “The Crown” [and Victoria on PBS] expose all our 21st-century anxieties about powerful women

Claire Foy and Matt Smith as the Queen and Prince Philip in the Netflix series, The Crown

My article in Quartz  discusses how women in power are portrayed on two hit TV shows: The Crown on Netflix and Victoria on PBS. Both Queen Elizabeth II in The Crown and Queen Victoria in Victoria appear as young women who are mentored or challenged by the men who surround them and experience frequent moments of self doubt. In fact, both queens had been trained for their future roles since childhood and were confident queens who were both extremely popular when they first succeeded to the throne. The portrayals of Elizabeth II and Victoria on TV today reflect current anxieties about women in power.

Click here to read “The hit Netflix series “The Crown” exposes all our 21st-century anxieties about powerful women” at Quartz

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New York Post Interview: Thank queen of ‘Victoria’ for this Oval Office centerpiece

Portrait of the nineteen year old Queen Victoria on her coronation day in 1838.

Portrait of the nineteen year old Queen Victoria on her coronation day in 1838.

My thoughts about Queen Victoria and her opposition to women’s suffrage have been quoted in the New York Post as part of a list of facts about the famous Queen, who is currently being portrayed by Jenna Coleman in the Victoria TV series on PBS. The quotes are an excerpt from a longer interview with the University of Alberta Faculty of Law blog about Queen Victoria, her family and women’s rights.

Click here to read Thank queen of ‘Victoria’ for this Oval Office centerpiece in the New York Post.

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CBC News Interview: Now Victoria comes to TV: Why Queens are ‘dramatic dynamite’

Jenna Coleman as Queen Victoria

Jenna Coleman as Queen Victoria

The ITV series Victoria premieres on PBS on January 15 at 9pm ET. My interview with CBC.ca discusses Queen Victoria, the Netflix series The Crown and why the Stuart queens Mary II and Anne would be ideal candidates for a dramatic treatment of this kind.

Click here to read “Now Victoria comes to TV: Why Queens are ‘dramatic dynamite'”

For more information about Queen Victoria, click here to read my article about Queen Victoria and Canada in the Queen’s Alumni Review and my profile of Queen Victoria in the Canadian Encyclopedia 

My forthcoming book, Raising Royalty: 1000 Years of Royal Parenting includes a chapter about Queen Victoria and Prince Albert and how they parented their nine children.

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Globe and Mail and Mashable Interviews about “The Crown” TV series on Netflix

Prince Philip, Duke of Edinburgh kneeling before his wife, the Queen at her coronation in 1953 as portrayed by Claire Foy and Matt Smith in The Crown on Netflix.

Prince Philip, Duke of Edinburgh kneeling before his wife, the Queen at her coronation in 1953 as portrayed by Claire Foy and Matt Smith in The Crown on Netflix.

In the past few weeks, I have had a couple more interviews published about the portrayal of the young Queen Elizabeth II in season 1 of “The Crown” on Netflix.

I discussed the Queen’s image with Elizabeth Renzetti at the Globe and Mail. In addition to “The Crown,” Queen Elizabeth II has been the subject of numerous works of fiction from novels such as Mrs Queen Takes the Train and The Uncommon Reader to films such as The Queen and Royal Night Out  and plays such as The Audience.

One of the reasons why Elizabeth II appeals to novelists, screenwriters and playwrights is that her appearance and demeanor is known to the world but as an impartial constitutional monarch, she is expected to remain above politics. Fictional portrayals of the Queen are opportunities to speculate about what she is really thinking when performs public engagements or meets with her Prime Ministers.

One of the key themes in “The Crown” is conflict between the young Queen Elizabeth II’s position as sovereign and the prevailing gender roles in Britain in the 1950s. I discussed how “‘The Crown’ is a low-key guide to outfoxing the men in your way” with Rachel Thompson of Masahable.com. Although women over 30 had been able to vote in Britain since 1918 and all adult women received the franchise in 1928, there were few female members of parliament in the 1950s and a female Prime Minister would not be elected anywhere in the world until Sirimavo Bandaranaike became Head of Government in Ceylon (Sri Lanka) in 1960.

In “The Crown,” the Queen has to negotiate a role for her husband Prince Philip, Duke of Edinburgh and insist that her first Prime Minister, Winston Churchill, treat her according to her position as sovereign rather than her age and gender. She also reflects on her education, which included a thorough grounding in the constitution from the Provost of Eton College but paid little attention to subjects considered unimportant for women of her social background at the time such as mathematics or science.

Season 2 of the Crown is expected to be released in November 2017.

Click here to read “Despite attempts to decipher her, Queen Elizabeth II remains a mystery”  in the Globe and Mail.

Click here to read “‘The Crown’ is a low-key guide to outfoxing the men in your way” at Mashable.com

 

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Mashable Interview: How accurate is Netflix’s ‘The Crown’?

Claire Foy and Matt Smith as the Queen and Prince Philip in the  Netflix series, The Crown

Claire Foy and Matt Smith as the Queen and Prince Philip in the Netflix series, The Crown

I have been enjoying watching The Crown series on Netflix, which dramatizes the early years of Queen Elizabeth II’s reign. I have been posting comments about the major themes and historical events in each episode on twitter @royalhistorian .

I also discussed the first four episodes of The Crown with Rachel Thompson for her article on Mashable.com, How accurate is Netflix’s ‘The Crown’? My interview covered portrayals of King George VI’s temperment, Prince Philip’s adjustment to life as the Queen’s consort and the Duke of Windsor’s place in the royal family.

Click here to read the interview with Rachel Thompson at Mashable.com

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Friday Royal Read: Edward II: The Unconventional King by Kathryn Warner

Edward II and Richard III, who will be laid to rest in Leicester Cathedral on March 26, have made a similar journey through popular culture. In both cases, the story of a flawed monarch who lost his throne to an invading force inspired an Elizabethan playwright. Both Richard III by William Shakespeare and  Edward II by Christopher Marlowe created a received wisdom about their title characters that was accepted by the public for centuries. Shakespeare’s Richard III was a hunchbacked villain who ruthlessly eliminated his family members and died offering his kingdom for a horse. Marlowe’s Edward II was foolish, dominated by his male “minions,” and met a gruesome end by being disemboweled with a red hot poker.

In the 20th century, popular perceptions of Richard III and Edward II diverged. The founding of the Richard III society in 1924 began the process of reevaluating Richard III’s reputation and Shakespeare’s portrayal has been thoroughly critiqued. The discovery of Richard III’s remains revived popular interest in the king’s reputation and there is now a range of more sympathetic portrayals of Richard in historical fiction and popular biography alike. In contrast, Marlowe’s portrayal of Edward II has become even more accepted and entrenched in popular culture. For example, the 1995 Oscar winning film Braveheart, portrayed the future Edward II as frivolous, focused entirely on his male favourites and easily cuckolded by his estranged wife.

In the foreward to Kathryn Warner’s book, Edward II: The Unconventional King, historian Ian Mortimer observes that there is an “Edward II routine” accepted by the public and numerous historians. Warner, one of the foremost experts on Edward II, scrutinizes the accepted narrative of Edward II’s life and death, finding the complex historical figure behind the Elizabethan legend.

Warner demonstrates that while Edward II rarely an effective monarch, especially compared to his father, Edward I, and son, Edward III, he was a much more complicated figure than his depiction in popular culture. The strongest sections of the book are Warner’s thoughtful revaluation of Edward II’s marriage to Isabelle of France. The match began badly with Edward ignoring his 12 year old wife to socialize with his favourite, Piers Gaveston, during the wedding celebrations, and ended badly with Isabelle overthrowing her husband with the help of her own favourite, Roger Mortimer. During the intervening years, however, Warner reveals an effective working relationship between the king and queen with evidence that they cared for each others’ welfare. The existence of four children, all of whom were clearly fathered by Edward, is clear evidence that the royal couple were not estranged for their entire marriage as they are in Marlowe’s play.

I was not convinced by the final chapter of Edward II: The Unconventional King on Edward II’s possible life in exile after his presumed death in 1327. While accounts of Edward II’s death by red hot poker are as fictionalized as Richard III offering his kingdom for a horse at the Battle of Bosworth field, the possibility that Edward II managed to fake his own death and live out his life in obscurity seems unlikely. Edward II did not simply disappear in the manner of Richard III’s nephews, the Princes in the Tower, but had a funeral in Gloucester Abbey attended by dozens of people close to him. The existence of circumstantial evidence for Edward II’s survival, however, reveals that there remain unanswered questions about this controversial king. Like Richard III, Edward II continues to be a historical enigma with a contested reputation.

Next Week: Princes at War: The Bitter Battle Inside Britain’s Royal Family in the Darkest Days of WWII by Deborah Cadbury

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The Queen’s Garden: Sunday January 11 at 10pm ET on PBS

Buckingham Palace across the lake

Buckingham Palace Across the Lake

The private garden at Buckingham Palace is best known as the setting for garden parties where the Queen and other members of the royal family meet people from all walks of life. The 2014 documentary The Queen’s Garden, which premieres on PBS this Sunday,  provides a behind the scenes look at the royal gardeners preparing the grounds  for thousands of guests. Trees are trimmed to allow for gentlemen walk under them in top hats, the lawn is carefully raked in case ladies in high heels decide to kick off their shoes and walk barefoot on the grass, and the pond is aerated to ensure that there are no foul smells interfering with enjoyment of the grounds.

There’s also interesting film footage of past events on the lawn including the young Princess Elizabeth attending what may have been her very first garden party, hosted by her grandparents, King George V and Queen Mary and Edward VIII giving debutantes permission to flee from the pouring rain at an outdoor reception. Although The Queen’s Garden provides a fresh perspective on garden parties past and present, the documentary also reveals there is more to the Buckingham Palace park than the famous lawn. Over the course of four seasons, the biodiversity of this urban oasis is revealed. In the heart of London, the Queen’s Garden provides a haven for rare plants and animals.

In December, the filming of The Queen’s Garden attracted worldwide press attention because the film crew encountered hallucinogenic fungi – magic mushrooms – on the Buckingham Palace grounds. Although the distinctive red toadstools with white spots in the palace garden are the toxic variety from Alice in Wonderland instead of the better known little brown mushrooms, the news sparked curiosity about what other plants and animals made their home in the Queen’s garden. The documentary includes interviews with royal bee keepers and bird watchers who reveal the little known species live around Buckingham Palace.

Plenty of royal history took place in the Queen’s garden as well. Henry VIII evicted Londoners from the grounds to create a deer park for his hunting parties. James I hoped to turn the garden into a silk production centre by planting mulberry trees to feed silkworms. King George III’s wife, Queen Charlotte, kept a zebra and an elephant in the garden before her menagerie was moved to the Tower of London and Queen Victoria’s husband, Prince Albert once fell through the ice while skating on the pond.

The Queen’s Garden combines history, science and party planning to provide a unique glimpse of the Buckingham Palace grounds, showing the hidden places beyond the lawn that even garden party guests rarely see.

For more about royalty and gardening, see my previous post, Royals in the Garden that looks at royal personages who have lent their names to flowers -and the occasional vegetable!

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Tales from the Royal Bedchamber: Sunday December 21 at 8pm ET on PBS

Lucy Worsley When Victoria became Queen in 1837, she shut the door of the royal bedchamber to the public. The government officials who traditionally attended royal births were relegated to the adjoining room while only the Queen’s consort, Prince Albert, and medical staff were permitted in the bedchamber for the arrival of the royal children. The Queen observed a strict separation between her public life and her domestic life. In Tales from the Royal Bedchamber,  Dr. Lucy Worsley, chief curator at Historic Royal Palaces, reveals that the monarch’s bedchamber was a ceremonial space in Tudor and Stuart times where proximity to the monarch meant proximity to political power.

Worsley presents the history of the English royal bedchamber with enthusiasm and energy. She climbs into beds to test just how comfortable they were, showing that it was impossible to lie entirely flat on a hammock-like, collapsible  medieval royal bed frame. She also tries her hand at silk weaving. Sitting on the edge of royal beds, Worsley has interesting discussions about royal marriage, mistresses and childbearing with a broad range of fellow curators, historians and authors such as Anna Whitelock, Tracy Borman and Helen Rappaport.

Perhaps the most engaging part of the documentary is Worsley’s description of the rumours that the son of James II and Mary of Modena, born in 1688, was a “warming pan baby” smuggled into the Queen’s bed to replace a stillborn child. Worsley shows viewers a warming pan, an early form of hot water bottle that was too small to hold a baby,  draws the supposed route the warming pan took through state rooms to the royal bedchamber and describes the crowd that witnessed the actual birth. The warming pan baby story was a convenient fiction to justify the Glorious Revolution&accession of William III and Mary II.

Since Worsley is chief curator at Historic Royal Palaces, much of the documentary is filmed in royal bedchambers of the Tower of London, Hampton Court and Kensington Palace. There is also a visit to the Isle of Wight to view the memorial to Queen Victoria in the private bedchamber where she died at Osborne House. If the program were longer, a trip across the channel to Versailles would have shown the origins of certain late seventeenth century English court practices. It is no coincidence that the late Stuart monarchs commissioned elaborate state beds after the Restoration of the English monarchy in 1660. Charles II was first cousin to Louis XIV  and spent part of his exile in France, observing the elaborate ceremonies that took place when the King rose from his bed in the morning or retired in the evening.

Tales from the Royal Bedchamber is a look behind the royal bed curtains of centuries past. Before Queen Victoria shut the door, the whole court thought they had the right to know exactly what took place in the royal bed. The modern fascination with the private life of the royal family is as old as monarchy itself.

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